![]() ![]() The ability to generalize is a real differentiator between grammar error correction systems, including Writer and Grammarly’s.And at Writer, we are very careful about the training data we feed our model, because good data helps the model generalize well. It doesn't just memorize examples, but gets a "feel" for things. We do this millions and millions of times, and the model learns. Then, we would change the verb "write" to the incorrect "writes": Writer's AI writing assistant helps everyone at your company writes with the same style, terminology, and brand voice and tell the model that this is a bad sentence. We might show it Writer's AI writing assistant helps everyone at your company write with the same style, terminology, and brand voice and tell the model that this is a good sentence. For example, we teach the Writer deep learning grammar error correction system to correct subject/verb agreement by showing it many examples of subjects and verbs. Deep learning systems start out with the capacity to learn, and then are trained to recognize patterns by being shown many examples. That's why Writer uses techniques from artificial intelligence, such as deep learning.There are too many ways for the English language to work, so a mostly valid rule could break in some contexts. Even with an army of linguists, you just couldn’t cover all the possible English grammatical errors. There are relatively few always-true, easy rules that can be programmed. However, the vast majority of errors we would want to catch are contextual. This works well when the problem isn't contextual, ie, a rule that says, anytime someone types teh they actually meant the. Most grammar checkers use rules to identify English writing errors and suggest corrections.I can’t praise the Bush enough, they have been commissioning so many great new pieces of work, when it could have been so easy to fall back on their usual choices. They are the writers pushing narratives forward and not falling on old tropes. It is a really interesting moment because I’ve never seen so much work from South Asians in mainstream theatres. There’s a real wave of Asian playwrights that I am taking massive inspiration from. I feel like everything I make is a product of everything that I’ve ever consumed, the good and the bad. Have you had any influences from other theatre and media? For me when you’re super specific, it becomes universal as well and that’s really helped audiences resonate with it. And I also looked at the universality of their story as well. I tend to write with a lot of humour and that constantly comes out in the script. They are lonely people who find each other and find solace in one another. There’s a little bit of joy in presenting him and the journey that he goes on as well, throughout the play. I don’t think we get to see characters that are that problematic and nasty. I’m really enjoying playing Billy because he’s so problematic. But ‘the P word’ can be so many other words, like ‘Pride’ and ‘pakoras’.Īre there any aspects of the script that you loved seeing come to life on stage? Then I came up with The P Word and that really fit with me because I was like ‘the people who know that reference will know it’. Originally I wanted to call it “I don’t f**k P**is” but that didn’t happen. There’s this assumption that when you come out, you’re embraced by the community, but actually they can be quite hostile to people of colour or people who don’t fit the norm. The P Word talks about the gay community in general, and how there can be problematic spaces within that as well. On stage, I really believe that immediacy changes things like the conversation happening out there and then it permeates out further. Tying it to the very real issue of the legislation that we have in this country, and how it’s getting worse day by day was really important [the play directly calls out former home secretary Priti Patel, whose Nationality and Borders Bill makes life even harder for LGBTQ+ asylum seekers). We need to understand where these people are coming from, and what they’re running away from as well. The narratives around asylum seekers and immigration have been so distorted, that actually, you do need to humanise this story. Why is it so important that shows like The P Word are shown on stage, especially in the current political climate around refugees and asylum seekers? ![]()
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